In my blog entries, I describe mostly outstanding creative people who had God given talents in spite of the harsh times that they were living. Luckily, not everybody is born a genius. There were other composers. I would not call them minor talents or diminish their creativity in any way. They also deserve the utmost respect and gratitude of the following generations. One of these dedicated people was Princess Anna Amalia of Prussia.
Princess Anna Amalia of Prussia was one of eight children of Friedrich Wilhelm I of Prussia. She was a younger sister of the famous Frederick II, King of Prussia and she was born in 1723 in Berlin. Among her other famous close relatives were Wilhelmine, Margravine of Bayreuth, Louise Ulrika, Queen of Sweden and Augustus William, Prince of Prussia. Anna was eleven years younger than her brother Frederick, and would have been seven years old when he made his attempt to run away from home, after being humiliated by his father. Both children were musically inclined, but for Anna formal musical instruction was only possible after the death of her father, who hated music with all his heart. Music was her secret consolation against his cruelty to her - in his bursts of rage he would often drag her across a room by the hair. Fortunately, her mother encouraged Anna to learn how to play the harpsichord, flute, and violin. And she received her first lessons from her brother, future king.
It seems that princess was a very brave and passionate woman. When she was twenty years old, Anna met Friedrich von der Trenck, whose adventurous life inspired works by literary giants such as Victor Hugo and Voltaire. In 1743, Anna secretly married him. When her brother, who was already a king, discovered she had married secretly and was pregnant, he annulled her marriage and imprisoned her husband for ten years. Then Frederick exiled her in anger to Quedlinburg Abbey, a place where many aristocratic women were sent to give birth to children out of wedlock. However, Anna continued to correspond with Friedrich von der Trenck until her death.
Anna became the Abbess of Quedlinburg in 1755, although she chose to spend most of her time in Berlin, where she devoted herself to music, and became known as a musical patron and composer. In 1758, she began a serious study of musical theory and composition, engaging as her tutor Johann Philipp Kirnberger, a student of Johann Sebastian Bach. She composed chamber music, such as flute sonatas, and wrote music to Ramler's Passion cantata "The Death of Jesus". This was also her favorite piece. Only a few of her works have survived, and it is highly likely that she destroyed many of her compositions. After all, she did describe herself as being very self-critical person. In addition to that, princess Anna was also a collector of old music, preserving over 600 volumes of works by notables such as Johann Sebastian Bach, George Frideric Handel, George Philipp Telemann, and others. This act in itself was a significant contribution to Western culture. Her library was split between East Germany and West Germany after World War II, and despite serious damage by fire in 2004, still survives today.
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